The projects, most of which last a whole day, teach the students about film history and film analysis. One of the seminars was about the work of Ozu. The students (aged 16-18) watched first a short documentary about his work together followed by the feature TOKYO STORY (Tōkyō monogatari, Japan 1953). After analyzing the form and content, they made within five days their own short film on the topic of “generational conflict” and were asked to use Ozu's style and way of filming.